Well, I wasn’t dancing in the rain; I was just walking. I started out on my daily exercise walk and it began to rain. Being out in the rain on a hot summer day is one of those simple pleasures that I rarely get to experience. The timing has to be just right: when I’m not in “good” clothes, I don’t have to see someone soon, and I can get a shower afterward (don’t want to smell wet the rest of the day).

Several weeks ago it rained on a hot afternoon when I was home with the boys, and we all ran out and got soaked. We all had a great time, and my wife got pictures of the event. It was the boys’ first time in a summer rain, and they just ran around like they were crazy.

I highly recommend everyone getting out in a summer rain at least once a year.

Bullgrit
bullgrit@totalbullgrit.com

Classic D&D adventure module review

The Keep on the Borderland, by Gary Gygax – Basic D&D, 1981

Introductory module for character levels 1-3

28 pages plus the separate cover with maps on the inside faces. The adventure has 64 numbered areas.

This module originally accompanied the Basic Dungeons & Dragons boxed set (1981, edited by Tom Moldvay). The first four pages of this module is an introduction to Dungeons & Dragons. There are notes for the Dungeon Master (DM) on reading monster and non-player character (NPC) stats in the module text, on running combats, on tracking time, and some general advice on how to be an effective DM.

The background on the setting of the Keep, and the starting set up, including a table of 20 rumors (true and false) the Player Characters (PCs) may know, begins on page 6. The information on the numbered areas of the Keep cover pages 8 – 12. Every structure in and about the Keep is described, and even each person statted out. It’s ironic that with all this detail, no one in the Keep is given a name—even the Keep itself has no name. Everyone from the innkeeper to the castellan is simply referred to by their job title.

The areas in the Keep are detailed down to the treasure hidden in personal rooms. The loan bank key includes the treasure stored in the cellar strong room—it’s full of valuable treasure, and would probably tempt most PC parties to at least consider a raid on it if they ever learned of it.

Pages 24 and 25 has a list of statted out NPCs, including personalities, advice for designing floor plans for buildings in the Keep, some tips for Players, and a glossary of non-game terms (like brazier and pot boy). Page 26 has a sample floor plan, (for the Keep Guild House), and pages 27 and 28 have a map of the Keep and the wilderness around the Keep, respectively.

Four wilderness encounter areas are described over a page and a half after the section on the Keep. The main adventure locale of this module is the Caves of Chaos, detailed on pages 14 – 23. The map for the Caves covers the entire inside cover of the book.

The dungeon complex is a moderately large set of caves in a ravine. Eleven entrances each lead to one set of caves occupied by different evil humanoid races, (kobolds, orcs, goblins, hobgoblins, gnolls, bugbears), a few individual monsters (ogre, minotaur, owlbear), and a temple full of undead.

Though some readers may have a difficult time accepting so many different and aggressively opposed creatures living in the same relatively small area, the arrangement does allow the invading PCs to take on small chunks of increasingly dangerous tribes, one at a time. If the PCs can determine what creatures live in which caves, they can choose to take on the kobolds first, then the goblins, then the orcs, etc., and work their way up to fighting the bugbear and minotaur when they gain a level or two. This is a good design decision for introducing novice Players to the game—they can encounter a wide variety of monsters in their first adventure. Some of the encounters consist of numerous enemies, and parties of less than the suggested six to nine PCs can find themselves in serious trouble.

Like many other adventure modules of this era, there is no boxed text to be read aloud to the Players. And like many other adventures by this author, the text is written in a stream of consciousness style, so the room description, monster combat stats, and treasure is all in the same paragraph with no organization. A DM must read through the areas before the game session to make notes and highlight information, because trying to read through it at the gaming moment will get confusing and will slow down the play.

All the monsters are listed in the “old school” stat block style: (AC 5, HD 2, hp 8 each, #AT 1, D 2-8, Save F 2, ML 8).

Overall, the adventure is broad selection of monsters for novice Players to experience. There is no stated or explained plot or specific background for the Caves of Chaos, so a DM will either need to make up something for his campaign, or else just hope the Players never wonder about it. With brand new D&D Players, it is quite possible that they may never think or care why there’s all these monsters in the caves, and why there’s a temple full of evil priests, skeletons, and zombies in the same locale.

But it is possible, maybe even probable, that the Players will ask for names of the various personages in the Keep. The author gives the combat stats for characters the PCs will probably never fight, but he didn’t give them names. The good thing about this lack of detail is that this module is generic enough to be truly modular, and can fit in just about any standard D&D campaign.

Bullgrit

My game group just started up a new Dungeons & Dragons campaign. It’s been almost a year since we last played D&D. Over the past many months, we’ve played some board games, Star Wars role playing game, and Marvel Super Heroes role playing game. As fun as those games are, I still like D&D best.

A while back, my wife and I were watching our boys play and we talked about how fun it would be to play like we did when we were kids. I commented that is pretty much what I do every Friday night, with my role playing games. I still play the games I started playing when I was 13, and those games are basically expansions of the core “let’s pretend” of an even younger age. So I sort of get to revisit my childhood play even as a full grown adult.

Of course the games have evolved, and I’ve matured, but the heart and soul and spirit of playing D&D and other such games is pretty much still the same as it was when I was 13 and 6 years old.

Bullgrit
bullgrit@totalbullgrit.com

How long are you supposed to keep a birthday card after your birthday? I’ve always usually kept them a week or two, and then throw them out. Only super special ones, like those handmade by my boys, get kept beyond that time.

One I’m about to throw out is one of those new musical Hallmark cards. The front says, in the Star Wars scroll look, “A long, long time ago. . .” Opening it up starts the Star Wars theme music, and the text inside says, “You were born.” It’s actually pretty cool for a Star Wars geek, like me. I’ve opened it a dozen times in the past couple weeks just to hear the music. I’m debating keeping this card till the battery runs out and it won’t play anymore.

As cool as the music is, the card makes me laugh at myself every time I look at it. Any Star Wars geek can tell you that the correct line is, “A long time ago in a galaxy far, far away.” You see: “A long time ago,” not “A long, long time ago.” The double adjective in the real Star Wars text is “far.”

Yes, I am that pedantic. And when I laugh with this card, I’m fully conscious that I’m not laughing at the card or the writer or the person who gave it to me; I’m laughing at myself for knowing the correct wording, and noticing and caring that it is wrong on the card.

Bullgrit
bullgrit@totalbullgrit.com